
A photo in particular is this close up of Pablo Picasso. In this image nearly the entire frame is cropped to focus in on Picasso. By doing this Penn left little to almost no negative space. However, the deep dark's of Picasso’s coat make up for it and creates its own sense of negative space. We know this is not negative space, because we know that it is in fact a coat but there is an illusion of Picasso essentially coming out of nothing and out of complete darkness that I find really interesting and beautiful. Now when you look up at the top you see Picasso’s hat and that adds a bit of depth to the image as you can see and follow the brim on the hat from the foreground all the way to the background of the image. At the forefront of the hat the brim isn’t exactly perfectly straight this is due to the fact of both the hat itself has a curve to it and also Picasso's head is at a slant. Because of this the hat as an angle to it that leads your eyes down and back around again which pulls your eyes around the photo. I really like this effect. Now going back to the idea of cropping and framing, the picture itself is already so tightly cropped around Picasso and then both the hat and the dark space of the coat essential provide an additional frame around his head. By doing this it gives the viewer no choice but to look right at Picasso and meet his gaze. Set almost dead center is Picasso’s eye and it is piercing to look at. Notice however that only one side of Picasso’s face is illuminated. The side that is in shadow is almost as dark as his coat. So this give Picasso a sense of mystery and as though he has something to hide or that he doesn’t want to show us. While the other side of his face is perfectly lit and you can see even the smallest of details in his skin all the way down to the wrinkles of his skin. His face is basically split right down the middle and both equally dark and light. This gives the viewer a sense that Picasso may have be two faced. He puts forth what he wants people to see and hide that of which he doesn't. Technically I think this photo is perfect. When taking portraits something that you want to focus on an make sure is crystal clear is the eyes of you subject and Penn did just that. Picasso's eye is perfectly in focus and is almost memorizing to look at. All in all, this photo to me is very beautiful and I think Irving Penn was one of the best portrait photographers ever.

